Inkjet printer printout of just the color lines from the above image: I generally use the rule that the higher the saturation, the higher the variance between blue/yellow: Keep in mind however, that oftentimes blue hues are printed darker at the same value/saturation than yellow hues.For B&W, generally the higher the saturation, the darker the B&W display. Generally it's thought of as how much color is mixed into the image, with higher values appearing closer to 'pure' colors. Saturation is the second most important setting for black & white, and represents how much white is in the color.Hue is the least most important setting for black & white, and represents the color being used for the.Value has by far the most effect on the appearance of a color in the B&W space, and you can generally assume that colors with widely different Values will be very visually distinct. The lower the Value, the darker the color. Value represents how much black is in the color, or how 'dark' an image is.First, think in terms of Hue/Saturation/Value instead of RGB or CMYK.Want more? Read on by downloading the full class handout at AU online: Tips and Tricks to Make Your Autodesk Revit Architecture Drawings and Presentations Look Great.In general, you can mentally manage this by following these rules: He has presented at eight Revit Technology Conferences (U.S., Canada, Australia, and Europe), where his classes are always voted in the top five and he was the top-rated speaker in Europe. He has presented at all of the BIM workshops and has been the top-rated speaker at most of them. He is an adjunct professor at Pima Community College. He is a top-rated speaker at Autodesk University and lectures at the University of Arizona’s College of Architecture. Shell is certified by Autodesk in Revit Architecture. He has been using Revit Architecture exclusively for over 15 years and is the co-founder and co-chair of the Southern Arizona Revit Users Group. Shell graduated from the University of Arizona in 1982, and has had his own architectural firm in Tucson, Arizona for over 30 years. It’s time to create your images and sheets. Now that you have completely modelled and scheduled everything, the fun begins. Section 2: Advanced Graphic Tools and Capabilities Explore and Take Advantage of the Possibilities This is where you first set all of your project wide visibility graphic preferences for Model Objects, then Annotation Objects, and then Imported Objects, which you then save to your Template.ĭefault Global Settings: Manage Tab > Phasing > Phases > Graphic Overrides. ![]() ![]() The Object Style dialog box below applies to all objects and elements in all views. Revit controls graphics based on a hierarchy, which starts from a program wide dialog box known as Object Styles, by category and then focuses all of the way down to individual line weights in a specific view. Section I: Basic Graphic Communication Techniques Project Wide Default Settings to Individual Overrides Object Styles: Project Wide Category Settings Using poche, surface shading patterns, profiling, transparency, and toning techniques you will learn to create one-of-a-kind 3D graphical drawings. You will learn more about adding photo backgrounds to renderings using a unique overlay approach, adding fully controllable gradient color (or photo) background behind multiple views, as well as tips for improving interior and exterior rendered views.įinally, you will learn how to use ‘old world hand drafting’ techniques to add visual clarity to make your construction documents communicate seamlessly. You will learn to enhance nonrendered and rendered views with ‘out of the box’ advanced graphic techniques as well as visually improve trees, plants, and people used in Revit for nonrendered views.
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